Roxana Alger Geffen
Home
Images
2022-2023 | Assemblages
2023 | Collages
2021-22 | Useful Ojects
2021-22 | Chaos Embroidery
2020 | Traces | Work
2020 | Mothering in a World Turned Upside Down/images
2020 | Poplin, Lawn and Whipcord
2019 | The Binding Ties
2018 | A light white, a disgrace
2016-2018 | Dissent Collars
2016 | Motherload | Work
2015 | Screenshot
2002-2003 | New Zealand
Exhibitions
2023 | Life and the Memory of it | The Cornwall Library
2021 | Traces at the Kreeger Museum | Exhibition Information
2020 | Poplin, Lawn & Whipcord
2020 | Mothering in a World Turned Upside Down | Exhibition Information
2020 | Intimate Generations | Exhibition Information
2019 | Tactile Hallucinations | Exhibition
2016 | MotherLoad | Exhibition
Dissent Collar Exhibitions
About
Selected Exhibitions
Awards, Residencies + Education
Collections
Artist Statement
Lectures + Workshops
Bio
Press
0
Roxana Alger Geffen
Home
Images
2022-2023 | Assemblages
2023 | Collages
2021-22 | Useful Ojects
2021-22 | Chaos Embroidery
2020 | Traces | Work
2020 | Mothering in a World Turned Upside Down/images
2020 | Poplin, Lawn and Whipcord
2019 | The Binding Ties
2018 | A light white, a disgrace
2016-2018 | Dissent Collars
2016 | Motherload | Work
2015 | Screenshot
2002-2003 | New Zealand
Exhibitions
2023 | Life and the Memory of it | The Cornwall Library
2021 | Traces at the Kreeger Museum | Exhibition Information
2020 | Poplin, Lawn & Whipcord
2020 | Mothering in a World Turned Upside Down | Exhibition Information
2020 | Intimate Generations | Exhibition Information
2019 | Tactile Hallucinations | Exhibition
2016 | MotherLoad | Exhibition
Dissent Collar Exhibitions
About
Selected Exhibitions
Awards, Residencies + Education
Collections
Artist Statement
Lectures + Workshops
Bio
Press
0
2021-22 | Chaos Embroidery
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